Sun over the forest.

For the month of May I’m offering 20% off paintings on my website…just use the promo code: MAY20. This painting, Sun over the forest, has just been added. The forest is a bounty, especially in May.

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View up close in the gallery.

Sun over the forest does different things to it depending on the time of year. In summer, it can hardly penetrate the green ceiling of leaves—sending down funnels of dramatic light. In fall, it creates an otherworldly sense of change. In winter, it casts long blue shadows on snow. In spring, it pulls up the wildflowers out of the wet earth. They come in waves: Bloodroot, Trout Lily, Jack-in-the-pulpit, Wild Geranium, Marsh Marigold, Trillium, Lily of the Valley, St. James Wort…all of these and more appeared just this month.

Sun over the forest also does different things to you while you are in it.





The imprint of magical things.

I just added a batch of new paintings to my website, including this one, Inner workings. I’m offering 20% off all orders for the month…just use the promo code: MAY20.

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View up close in the gallery.

This painting reflects the daily walks I’ve taken over these past couple of months as things change quickly here in Michigan. I have tried to become privy to the inner workings of as much as I can along the paths that I take. The pond comes to life as the patience of geese gives way to successfully hatched goslings. Larger fish appear from deeper waters and young painted turtles learn about a sunbath. Lichen and moss bloom like badges in the rain and suddenly the trees leaf out and bloom, too. The spring sky seems an indestructible blue.

I’ve got a box of artifacts collected during walks: rocks, pieces of fallen bark, feathers. It is the imprint of these magical things that give strength. It is the same as the horses that Dylan Thomas describes in his poem Fern Hill, dazed at the sheer beauty of it all:

So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.



May sale

May in Michigan just might be the most beautiful time of year. To celebrate the yellow willow tree buds busting, the tiny (yet mighty) hepatica and bloodroot poking through last year’s leaves, and the newly hatched goslings at the pond this morning, I’m offering 20% all orders on my website for the month…just use the promo code: MAY20.

Even though in-person exhibits have come to a halt for now, I’m still painting every day. Watch for new paintings to be added to the site throughout the month. I’m also walking daily, writing, and re-reading favorite poets and learning the work of new ones. One poet who I came to learn about just last year is Wendell Berry. I’m not sure how I lived so long before reading his poems but I’m so glad I finally did. His poems express a fervent observation and reverence for nature—and how we as humans, can take comfort and rest in our place within it. This is the second half of his poem, The Finches, wishing them, and us, well as we emerge from the cold of April:

May the year warm them
soon. May they soon go

north with their singing
and the season follow.
May the bare sticks soon

live, and our minds go free
of the ground
into the shining of trees.

View the full gallery.

Workshop next week, please join if you can.
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Next Wednesday, January 22, 6-8pm, I’ll be leading a workshop on poetry and painting. There are a few spots still available. It will take place in the gallery space at the Village Theater in Canton, where my solo exhibit, Transmutations, is currently hanging through the 29th.

The practice of combining words and painting is an endless puzzle. It requires observation and articulation and is something that I will never grow tired of: the moon in all of its phases, the tiniest mushroom on the forest floor, the city’s light on the river, the face of a friend, the memory of a hard time, the hope of a new idea. The poet Mary Oliver said, “To pay attention, this is our endless and proper work.”

One thing becomes another.
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All 40 paintings are hung! Please stop in to the opening reception for my solo exhibit, Transmutations, this Thursday, January 9, 7-9pm at the Village Theater in Canton.

Each one has a title, a poem, an idea behind it. Each one was made over the course of about a year. Slowly, these paintings became a set, and the best way to describe them was Transmutations.  

One thing becomes another. This is the story of many things in nature: the river, the leaf, the rock, the star, the butterfly, the tree… It is also the story of people and ideas. Every day—every moment—changes us. Sometimes it is as dramatic as the metamorphosis that we see in nature, sometimes it is only when we stop to look back that we realize how much we have changed, and what made it happen. To me, this is what these paintings represent: the blank piece of paper, putting down marks to see what they can become, to add words and see what feeling emerges from that, and finally to share them with others and have it become yet another thing.

This is the best part—I hope you can be there.

Transmutations…
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Lucky to say that I’ll start 2020 with a solo exhibition of 40 paintings: January 3-29 at the Village Theater in Canton, with an opening reception January 9, 7-9pm.

Please stop in if you can to see the new paintings and say hello. In conjunction with the exhibit, I will also be conducting a workshop on January 22, 6-8pm in the gallery space discussing how I approach my painting, specifically, combining poetry and painting, with a focus on haiku.

It’s been a busy year of sharing my work in exhibits and through my website. Meeting the people who purchased paintings and hearing why a specific painting was meaningful to them was the best part for me. It confirmed for me the power of creating and sharing—I think that this is what humans are best at. Certain images and words speak to us and stay with us as we go through life.

On the wall next to my painting table I have an eight-foot-long tackboard where I put up bits and pieces of interesting or meaningful things. Throughout 2019 it slowly built up with layers of mini paintings and textures, posters of songbirds and the constellations by month, strips of birch bark and dried maple tree seed pods. Last week I had the urge to take it all down, so I did.

With the end-of-year urge to sort, I was looking through a box of old paintings and collected images last night. Up on the tackboard this morning went a few treasured things to welcome the new year: a charcoal drawing my dad made decades ago of the Detroit River at night from Belle Isle with a sickle moon in the sky and a weeping willow probably still growing there to this day; an old pen drawing of mine of a bare-branched stand of spring trees; a quote from Wallace Stevens from a poem-a-day calendar I had in my 20s; a priceless (to me) 5 cent stamp with a portrait of Thoreau by Leonard Baskin on it; a Hiroshige print I never framed with a V of geese criss-crossing the moon; a copy I made in ink of a Ben Shahn painting of two brothers because I loved it so much; and a photo of some woods in the deep north of Michigan where I got lost one morning with my first dog.

These words and images are as familiar to me as my own hand, but pulling them out now and putting them on this wall they are mysteries to be unlocked again. Things, people, and experiences percolate inside us over the years, they turn in our consciousness, run in our dreams, and continually break out into new things. Henry David said, “Our truest life is when we are in dreams awake.”

What the morning never suspected...
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“The afternoon knows what the morning never suspected.” These words by Robert Frost sum up the year for me so far. Showing my work is such an honor.

I could have never imagined having so many opportunities to show it in such lovely settings. I’m pleased to have six paintings in the 2019 Michigan Made | Holiday Art Exhibition at the Lansing Art Gallery. It starts this Friday, November 8, with an opening reception from 5:00-8:00 pm.

The exhibit runs through December 23. I’m planning to be there on Friday and look forward to seeing the work of all of the artists. Hope you can make it to Lansing to see the show.

The Butterfly flies.
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So pleased that this painting, titled The butterfly, will be a part of the Ann Arbor Art Center’s 97th Annual All Media exhibit, which will be October 18-November 15, 2019.

It’s a special painting to me, representing a shift into a new area of exploration and expression.

The opening reception will be the evening of Friday, October 18…stop in if you can.

See The butterfly in its natural habitat…and in a frosted gold frame (a new option)!

Luck, beauty, atoms, and ideas in Muskegon.

A lot of things have happened in my life that I could never have predicted. Having two of my paintings hanging in a beautiful museum is one of them.

The 91st Michigan Contemporary Art Exhibition is up through November 13 at the Muskegon Museum of Art. It is a lovely show of 125 works from Michigan artists across the state. My paintings ‘Luck and Beauty’ and ‘Atoms and Ideas’ are hanging there now—I am honored to be included.

The opening night reception was a lot of fun…discovering the beauty in Muskegon and along the way there and back.

Check it out if you can.

Give me your hand.

“So, friends, every day do something that won’t compute.” The poet Wendell Berry wrote this in his poem, Manifesto: The Mad Farmer Liberation Front. I just learned about this poem a couple of weeks ago by chance. The entire poem is beautiful but this particular line means a lot to me. It’s in doing the things that have no clear end that I find the most comfort in and interest me the most.

This also describes my painting habit well. I rarely have the end in mind. It’s more interesting to see what appears. To build up, remove, think, destroy, start again—a time to free my mind and let go to what ‘won’t compute’. This painting was not trying to be figurative, but it felt that way in the end so those words followed. No plan, no pre-sketch, no set of steps to get there, but suddenly there is this thing that is beautiful to me with a sentiment that has meaning.

Later in Berry’s poem he says,
“Ask the questions that have no answers.
Invest in the millennium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.”

View up close in the gallery.

Off to Muskegon...

Just shipped a couple of paintings off to the Muskegon Museum of Art! They were invited to be a part of their 91st Michigan Contemporary Art Exhibition. The exhibit will run from September 5 - November 13, 2019.

I’ll be there in the evening of September 5 for the opening. Please come and see it if you can.

Read more about the exhibit here.

Atoms and Ideas blog post

Luck and Beauty blog post

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Wings folded for sleep...

Wings folded for sleep,
a nest in the universe,
like a distant moon.

View up close in the gallery.

View photo of this frame and painting on the home page.

I find myself thinking about perspective a lot. How things look from above—safety, warmth, love. How the smallest things can mean the world to us. How a little bit of the right thing can be enough. This painting and poem represent that thinking.

It is also framed in a new frame color option I am now offering on my website: Galactic Blue. It’s deep in the shadows and sparkles in the light.

My heart in May.

The favorite flowers of my life: in my mother’s garden, what I grew in my own garden when I had one, the ones growing in parking lots—feeding bees and goldfinches, the ones by the side of the road, or hidden in the thick forest, the ones growing in the gardens of friends, the ones that look so fragile but are stronger than we can imagine. The tall bearded irises that have a scent like licorice. The patterns and colors and shapes that repeat like the constellations and are made of the same thing. The names and the lore and the bouquets and the symbolism. William Carlos Williams contemplating wild Queen Anne’s Lace. Theodore Roethke on the roof of the greenhouse. Basho’s heart breaking with every bloom under the moonlight. And the belief that I can still be surprised at any given moment by beauty and hope.

This painting represents this bursting feeling that starts at the beginning of the blooming season. Some things break through in the sketchy days of April, but May is when it all begins, and then continues through the last days of October. And my heart depends on it.

View up close in the gallery.

I would tie a wish...

These squares of paint, arranged in lines and detailed with pencil, came to look like strips of sheened, patterned paper. Like hidden poems or wishes, intricately folded and to be tied to a tree—making a new kind of tree made out of ideas—in the open but still a secret. Symbolic things can have a lot of sway. The idea of a wish is what we want to create in ourselves. C.S. Lewis said, “We are what we believe we are.”

So, it becomes: what do we believe we are?

View up close in the gallery.

All the living things.

These days approaching the summer solstice are shaped by morning light that holds on well into evening. The air is scented with growing things. Wild immaculate iris untouched in the swamp. Seedheads as big as softballs in the parking lot. Six baby swallows perched on a high branch twittering against the changing evening sky. The stillness that breaks under what is to be.

View up close in the gallery.

Atoms and ideas.

The title, Atoms and Ideas now reminds me of a favorite passage from Walt Whitman’s Leaves of Grass where he talks about what poems and poets do:

They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the meanings,

To launch off with absolute faith—to sweep through the ceaseless rings, and never be quiet again.

I have made a few of these multi-colored spatter paintings laid over a base of black, silver, gold, or green brushstrokes. There is something soothing about making them. Adding many layers of tiny colored spatters then hand circling clusters of tiny dots in white pen. This one also has fine pencil details of circles and connecting lines, like a thread through the tiny universe. The paint itself creates a nice presence that is simple yet complex and deep.

A new batch of paintings available!

These nine new paintings are now available. I have many, many more that are in various stages of completion that will follow in the coming weeks. The early days of spring have had me up early and painting just about every morning. It is a habit that has saved me—painting, writing, reading—considering all kinds of art and nature, as well as the creative path of others. Finding peace, telling the truth, looking for beauty in the darkness—these are lifelong pursuits.

The poet Allen Ginsberg said, "Poetry is not an expression of the party line. It's that time of night, lying in bed, thinking what you really think, making the private world public, that's what the poet does."

The path…

The path, the shadow,
the song, the sun,
the moon, the bloom—
the poet’s companion.

View up close in the gallery.

 

The heart’s beginning.

View up close in the gallery.

 

The late spring night sky…

The late spring night sky,

new moon with a nebula,

Orion, so close.

View up close in the gallery.

 

Electric blue sky...

Electric blue sky.
Before I see them,
I hear a V of geese.

View up close in the gallery.

 
 

On his March birthday...

On his March birthday,
thinking of Jack Kerouac,
and the world explodes.

View up close in the gallery.

 

Wild and gentle things.

View up close in the gallery.

 
 

At the water's edge...

At the water’s edge,
a reflection of the sky,
in small living things.

View up close in the gallery.

Feather in the leaves...

Feather in the leaves,
the tenderest among us,
things made of beauty.

View up close in the gallery.

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About a month ago when signs of spring started showing in earnest I began walking my favorite forest nearly every day. It was such a relief to see green popping up against the still chilly and rainy days and the walks brought with them sighs of relief. One day I came across this Golden-crowned Kinglet dead on the forest floor. It was poignant since spring was just barely beginning, he had travelled a long way to get here, and already this tiny bird was gone. In the walks that followed I would see his body just off the trail until flooding rains finally washed him away.

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The crosshatch pattern that his feathers made and their color was beautiful. Birds are mighty, especially these tiny songbirds—barely bigger than a hummingbird—being in the world in a way that humans can hardly imagine. This painting and haiku are for him.

Breath.

A day in May that starts with sun. The writers, long gone, who wrote stories on a day like today for future readers, for readers forever. The artists, who made something every day—on paper and walls, confined to their beds with illness, or out scavenging the fields and streets for beauty. The poets, who tried on the moon, who fell in love with all their hearts, who were beyond consolation and then found again. The singers, who consider the evening trees, the blackness and beauty in the human heart. The scientists, who watch and are struck with awe at their own method.

To this day in May and to all the things that give us hope and breath.

View up close in the gallery.

Cherry blossoms fly...

Cherry blossoms fly,
clouds moving fast overhead,
endless beginnings.

View up close in the gallery.

This haiku and painting conveys the revived energy and reanimation of the earth in spring. The green that emerges almost overnight, buds breaking, flowers blossoming, bulbs popping out of the sodden earth, birds returning, and the sky changing. Clouds moving fast in the sky this time of year is something that has always been exciting to me—the spring winds.

Growing up, my mom called it the chinook, the winds that carried the scent of sweet, loamy earth—a sure sign that spring has settled in and winter is behind us. I still look forward to the day I smell it in the air each spring—a bellwether of the beauty to come.